The “Bass Chief” is an op amp based distortion pedal specifically designed for bass instruments, however you can use it for guitar if you wish. The pedal buffers and splits the incoming signal, one half is distorted by the amount set by the ‘Gain’ control which is then further shaped by the ‘Bass’ and ‘Treble’ controls. The two signal paths meet again at the ‘Blend’ control allowing the original signal to be mixed with the distorted version. Note that at extreme settings of the tone controls a further range of tones can be found using the ‘Blend’ control to cancel parts of the original signal. The overall level of the combined signals can be arrived at by using the ‘Volume’ control.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The “Bass Filtron” is a bass guitar envelope filter which gives an auto wah style effect. This pedal has 3 control knobs for range, attack and decay plus a Hi/Lo toggle switch and has great sound control.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Bass Nirvana is bass guitar analogue delay pedal. This pedal has a very warm tone and a deep rich sound which is great for the bass guitar. 4 control knobs allowing you to set your perfect tone, level, delay and repeats and the Nirvana will give you up to 620ms of delay.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guideThe pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.

The “Bass Poison Ivy” pedal is based on the sort of preamp you would find on a bass amplifier. The pedal buffers and splits the incoming signal, one half is distorted by the amount set by the ‘Fuzz’ control which is then shaped by the ‘Attack’ control. ‘Attack’ is the mix between the fuzz and a further treble boosted fuzz. The two signal paths meet again at the ‘Blend’ control allowing the original signal to be mixed with the distorted version. Finally the overall level of the combined signals can be arrived at using the ‘Volume’ control. This pedal has plenty in the tank and can give the bass guitar some subtle fuzz tones but still give you a nasty growl when you need it.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The “Bass Star Fazer” is a 4 phase stage bass phaser with a quartet of matched transistors. The two control knobs allow you to dial in depth and rate giving you a clean, smooth super phasing effects.The purple halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Flattley Bass Wah is based on the principles of several classic Wahs that use a filter known as the “twin t resonant filter”. During development, several genuine classic Wahs were analysed to determine the characteristics that give old Wahs “that sound”. The Flattley prototype Wah pedals were tested by several experienced users of older classic Wah pedals until they were satisfied that the sound was right.The Flattley Bass Wah is a very tight, articulate and vocal sounding Wah pedal which can handle as much gain as you want depending on your style of music. It also remains very tonal if being used clean, giving you an awesome individual expressive tone that will wow your audiences.The Flattley Bass Wah comes with a 100K potentiometer installed which was designed and manufactured to exacting Flattley specifications. A standard feature with the Flattley Wah is the signature blue LED light plate which gives you full visibility on stage of the pedal’s status.The Flattley Bass Wah comes in the “Sugar Skulls” hydro dipped graphics which will add some amazing artwork to any musician’s pedal board. Which one will you choose.

Flattley CenturionHersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

Centurion SilverThe Flattley Silver Centurion was recently featured in Guitarist Magazine Issue 474 August 2021 and further details on this amazing review can be found  on our “News” section under the “Home” and “About” pages. You can also watch the Guitarist Magazine demo video of the Silver Centurion on its product pageThe Flattley “Silver Range” Silver Centurion pedal is Flattley Guitar Pedals version of a very famous type of transparent overdrive pedal. This pedal is perfect to use on its own to get mild gain sounds that just starts to break up or go full tilt to get a full-on overdrive sound when your amp is set on the clean channel. Alternatively, you can use this pedal to boost an over-driven tube amp or overdrive, distortion, fuzz and muff pedals that will give an amazing sound, clarity and tone. This pedal also cleans up when you turn down the guitar volume without losing the overall volume levels so it is a very versatile pedal that can be used for many different types of applications.Silver Centurion hints and tips:The Silver Centurion is a transparent overdrive in the same way that a Klon Centaur is. Transparent means that it doesn’t drastically change the colour of your tone so when you turn the pedal on, it won’t sound like a different guitar tone. It will sound like the same tone, but better. My Strat is just “more Strat”… etc.This is achieved by separating the frequency spectrum up into several bands and treating each differently. Bass frequencies are passed through untouched giving a full bottom end, treble frequencies also pass through but can be boosted by the tone control, mid frequencies go through a soft clipping circuit to give them an amplitude dependent boost to the harmonics. The gain control controls gain and volume simultaneously to vary the sensitivity and width of the mid band of frequencies.The pedal also acts as a buffer when in standby which is an advantage if you use it as the first pedal in a chain of effects. This gives you two ways to use the Silver Centurion…It can be used as a clean boost for your amplifier. A booster adds some extra girth to your signal to push your amp a little harder. Set up a clean tone on your amp and experiment with the pedal. Start off with a low drive level, then gradually build the pedal gain up as you play. You’ll learn how the pedal changes as you add in more gain. If you have a tube amp, you’ll be able to hear how the pedal also begins to push your amp at a certain stage.You can also set your amp to the point where it’s on the verge of breaking up, then use the pedal to push the amp into overdrive. This is another common way of using a transparent overdrive pedal.Another way to use a Silver Centurion is to stack it with other drive pedals. You can use a pedal (or your amp) to produce your main drive tone, then you can add in the Silver Centurion when you want your tone to have a bit more sparkle or boost.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Silver Range” pedals are hand processed in our Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by our graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in our printing shop.Volume: Controls the overall output level.Gain: Controls the amount of gain/overdriveTreble: Controls the amount of treble/bassThe Silver Centurion comes in a 1590BB Enclosure (LxWxD): 119 x 94 x 30 mm (67 x 3.68 x 1.18 inch)Standard negative centre,-9v dc tip power supply unit/power brick requiredNo internal 9v dc battery function 20mm anodised aluminium control knobsBlue halo light ring installedThe Silver Centurion comes with a large black custom aluminium foot topper This edition comes in silver paint and black graphics. All our pedals are handmade, hand wired, boutique custom guitar and bass pedal effects manufactured in the UK using only the highest quality components ensuring every aspect of our pedal’s build process results in a truly outstanding product.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

Not all diodes are created equally and we were lucky to get a batch of original black glass encapsulated germanium diodes to use in some of the clipping circuits for some special anniversary pedals, so the Centurion 10 AE was born. Silicon diodes clip in a very aggressive way and at a higher voltage than germanium diodes. The germanium diodes clip in a much softer way that suppresses odd harmonics and also give more compression so these original black glass encapsulated germanium diodes were absolutely perfect for the Centurion 10 Anniversary Edition. So looking past all the technical specs of forward voltage thresholds and forward current curves they just sound absolutely fantastic in clipping circuits.The “Centurion 10 AE” pedal is Flattley Guitar Pedals version of a very famous type of transparent overdrive pedal. This pedal is perfect to use on its own to get mild gain sounds that just starts to break up or go full tilt to get a full-on overdrive sound when your amp is set on the clean channel. Alternatively, you can use this pedal to boost an over-driven tube amp or overdrive, distortion, fuzz and muff pedals that will give an amazing sound, clarity and tone. This pedal also cleans up when you turn down the guitar volume without losing the overall volume levels so it is a very versatile pedal that can be used for many different types of applications.Centurion 10 AE hints and tips:The Centurion 10 AE is a transparent overdrive in the same way that a Klon Centaur is. Transparent means that it doesn’t drastically change the colour of your tone so when you turn the pedal on, it won’t sound like a different guitar tone. It will sound like the same tone, but better. My Strat is just “more Strat”… etc.This is achieved by separating the frequency spectrum up into several bands and treating each differently. Bass frequencies are passed through untouched giving a full bottom end, treble frequencies also pass through but can be boosted by the tone control, mid frequencies go through a soft clipping circuit to give them an amplitude dependent boost to the harmonics. The gain control controls gain and volume simultaneously to vary the sensitivity and width of the mid band of frequencies.The pedal also acts as a buffer when in standby which is an advantage if you use it as the first pedal in a chain of effects. This gives you two ways to use the Centurion…It can be used as a clean boost for your amplifier. A booster adds some extra girth to your signal to push your amp a little harder. Set up a clean tone on your amp and experiment with the pedal. Start off with a low drive level, then gradually build the pedal gain up as you play. You’ll learn how the pedal changes as you add in more gain. If you have a tube amp, you’ll be able to hear how the pedal also begins to push your amp at a certain stage.You can also set your amp to the point where it’s on the verge of breaking up, then use the pedal to push the amp into overdrive. This is another common way of using a transparent overdrive pedal.Another way to use a Centurion is to stack it with other drive pedals. You can use a pedal (or your amp) to produce your main drive tone, then you can add in the Centurion when you want your tone to have a bit more sparkle or boost.The purple halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.

Flattley Crazy Diamond - VibeHersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.There are 4 controls in addition to the bypass switch that allows the effect to be switched in and out of circuit. A true bypass scheme is used, the effect is active when the halo ring is illuminated.Some typical settings…Fat fuzz: Grunt clockwise, Tone anti-clockwise, Fuzz and Volume to taste.60s fuzz: Grunt midway, Tone midway, Fuzz and Volume to tasteThin scratchy fuzz: Grunt minimum, Fuzz midway, Tone and Volume to taste.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

There are 4 controls in addition to the bypass switch that allows the effect to be switched in and out of circuit. A true bypass scheme is used, the effect is active when the halo ring is illuminated.Some typical settings…The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.This is the first Version of the “DG Fuzz ”There are 4 controls in addition to the bypass switch that allows the effect to be switched in and out of circuit. A true bypass scheme is used, the effect is active when the halo ring is illuminated.Some typical settings….The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.

Flattley Nirvana - Analog DealyHersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Outlaw is the first dual pedal from Flattley pedals that combines the similarities of two of our pedals, The Ace tone booster and the Plexi overdrive. The boost section is a clean boost that also has a tone stack to allow it to be a bass boost, a treble boost or anywhere in between. The overdrive section is an FET based circuit that gives a simulation of the harmonic distortion that you would expect from a 12AX7 valve with a wide range between a sweet blues tone to a flat-out rock tone.Each of the two halves of the pedal has its own bypass footswitch to allow the user to use boost or overdrive individually. However, the combination of these two pedal circuits is taken further by allowing the user to swap the order of the two with the flip of a single switch. This means the overdrive tone can be boosted (with additional tone shaping) in one mode, ideal for lifting level for soloing. Alternatively, the overdrive circuit can be driven by the booster which can push it into extreme compression/ distortion as the boost half of the pedal has its own tone stack that can be used to pre emphasise the signal to give a wider range of overdriven tones.Toggle Switch: The toggle switch allows you to change the lead order of the two pedals. Toggle switch selected forward has the clean tone booster as the lead pedal, toggle switch selected to the rear has the plexi style overdrive as the lead pedal.Plexi Drive ControlsVolume: Controls the overall output level.Gain: Controls the amount of gain/overdriveTone: Controls the amount of treble/bassTone Booster ControlsVolume: Controls the output of the pedal from zero (use as a kill switch), unity gain is around midway and max gives quite a lift to the output. It’s second function is to act as a gain recovery stage for the tone control.Tone: Midway the tone control is effectively flat and the setting you would use for a straight lift in volume. Either side of midway there is a sweet spot allowing tone to be a little dark (anticlockwise) or have a bit more sparkle (clockwise). Tone fully anticlockwise, the pedal works as a bass boost, fully clockwise it becomes a treble boost with the volume control being used as a gain compensation control as bass boost requires a reduce in overall gain and treble boost usually requires an increase in overall gain. • The Outlaw comes in a 1590BB Enclosure (LxWxD): 119 x 94 x 30 mm (67 x 3.68 x 1.18 inch) • Standard negative centre,-9v dc tip power supply unit/power brick required• No internal 9v dc battery function• 15mm red anodised aluminium custom etched control knobs• Red halo light rings installed• The Outlaw comes with 2 red custom etched aluminium foot toppers• This edition comes in red, holographic chrome metal flake and silver paisley skulls hydro graphics.

The “Plexstar” overdrive pedal is a plexi style JTM 45 amp in a box. It comes installed with a boost switch which gives you a massive overdrive boost with a bass kick when you want it. The Plexstar gives you monster overdrive tones and transparent overdrive even when the boost switch is off utilising the JFET transistors. The Plexstar gives you overdriven tones where you can be in the same room without bursting your eardrums with the Plexstar fully cranked!!!!!The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Silver Range” pedals are hand processed in our Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by our graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in our printing shop.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The “Poison Ivy” octave harmonic fuzz pedal is modelled on a 60’s/early 70’s style Super Fuzz/Uni Fuzz but with some modern adjustments to improve the sound qualities.  The poison ivy is based on germanium diodes to give that vintage era fuzz sound. The 2-position tone network switch offers a choice between the full signal and a scooped signal that is more gritty.The expander control takes the fuzz sound from a wide fuzz sound to a completely over the top Velcro ripping tight fuzz sound, providing some great octave tones.  There is no holding back with this fuzz pedal, it’s awesome and it’s almost like having two completely different fuzz pedals in one box.The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Silver Range” pedals are hand processed in our Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by our graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in our printing shop.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Flattley Revolution pedal was recently featured in Guitarist Magazine Issue 474 August 2021 and further details on this amazing review can be found  on our “News” section under the “Home” and “About” pages. The Flattley Revolution pedal was also given the  “Guitarist Choice” award which we are really proud of and is a testament to the Revolution pedal’s tonal flexibility and quality. You can also watch the Guitarist Magazine demo video of the Revolution pedal on its product page.The “Revolution” dynamic overdrive pedal is a powerful and very flexible overdrive pedal. It’s based on a tube screamer style circuit but on “steroids” giving you smooth creamy overdrive tones full of depth and reactive sounds depending on your style of playing. It comes installed with a three-way toggle switch which gives you complete overdrive tonal flexibility when you need it. With the switch in the centre position the overdrive circuit runs through an Op amp integrated circuit, the switch in the upper/forward position the circuit runs through silicon diodes, the switch in the rearward/aft position runs through LED diodes providing three different types of overdrive clipping. The Revolution gives you three separate overdrive pedals in one box and is one of my personal all-time favourite pedalsThe blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Flattley Revolution pedal was recently featured in Guitarist Magazine Issue 474 August 2021 and further details on this amazing review can be found  on our “News” section under the “Home” and “About” pages. The Flattley Revolution pedal was also given the  “Guitarist Choice” award which we are really proud of and is a testament to the Revolution pedal’s tonal flexibility and quality. You can also watch the Guitarist Magazine demo video of the Revolution pedal on its product page.The “Revolution” dynamic overdrive pedal is a powerful and very flexible overdrive pedal. It’s based on a tube screamer style circuit but on “steroids” giving you smooth creamy overdrive tones full of depth and reactive sounds depending on your style of playing. It comes installed with a three-way toggle switch which gives you complete overdrive tonal flexibility when you need it. With the switch in the centre position the overdrive circuit runs through an Op amp integrated circuit, the switch in the upper/forward position the circuit runs through silicon diodes, the switch in the rearward/aft position runs through LED diodes providing three different types of overdrive clipping. The Revolution gives you three separate overdrive pedals in one box and is one of my personal all-time favourite pedalsThe blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.Hersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

Flattley Solaris ProHersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

Flattley Star Fazer - PhaserHersteller / Manufacutrer InfoFlattley Guitar Pedals4A Hall Close, Park View HouseNG34 9SFHeckingtonpaul@fgpuk.comwww.flattleyguitarpedals.comImporterCotton Musical SupplyInh. Jürgen KirschnerVordergasse 1535510 ButzbachPhone : 06033-9238591info@cms-music.dewww.cms-music.netSicherheit und WarnhinweiseSpezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.Safety WarningsSpecific safety instructions applicable to the product can be found in the user guide

The Joker came from the idea, “what happens if you add controlled distortion to a normally clean booster?”. To achieve this we added an FET based 12AX7 valve simulation with the aim of sounding similar to an overdriven single valve combo. However, on building a prototype it was found that the pedal had more uses than first envisaged. Firstly, it can do the “small amp tone” as expected. So in “dirt” mode anything from a “warm boost” to a “flat out tweed”. So jazz to blues covered. A second range (“filth”) was added to allow gain / distortion for rock fans. Third (unexpected) way of using it is as a boost for a conventional amp but with the added bonus of adding additional harmonic content / tone shaping before hitting the front end of the amp. This gives heavy rock fans the tones they are always looking for. The green halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live. All Flattley "Platinum Range" pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish. Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle. The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally. Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. Volume: Controls the volume level of the effect allowing you to cut or push the gain of your amplifier. Gain: Controls the amount of distortion depending on the position of the toggle switch. In dirt mode it goes from clean to crunch and filth mode allows you to go from crunch to heavily distorted. Tone: Controls the amount of treble/bass. Fully anti clockwise is max bass boost, mid position gives you a nice lift in the mid ranges and fully clockwise is full treble boost. Toggle Switch: Selects between “Dirt” and “Filth” settings The Joker comes in a 125B Enclosure (LxWxD): 119x64x40mm (including lid) (4.69 x 2.52 x 1.57 inch) Standard negative centre,-9v dc tip power supply unit/power brick required No internal 9v dc battery function 20mm anodised aluminium custom etched control knobs Green halo light ring installed The Joker comes with a green custom etched aluminium foot topper This edition comes in a green burst, holographic chrome metal flake and UV printed graphics. All our pedals are handmade, hand wired, boutique custom guitar and bass pedal effects manufactured in the UK using only the highest quality components ensuring every aspect of our pedal’s build process results in a truly outstanding product.

The “Valkyrie” Chorus pedal is our take on those 80’s flangers we all had but sadly sold at some point. Using similar delay line technology from that era, the Valkyrie pedal also has a wider range of control and depth to be able to do more than “just that chorus sound”. A classic effect derived from taking a signal through a delay line whose speed is being modulated by a low frequency oscillator and then adding that signal to the original. Simple to drive with just two controls, Rate and Depth.Rate controls the speed of the triangle low frequency oscillator from a slow swoosh to a rapid fast Leslie and beyond. Depth controls how much deviation in delay time of the delay line is allowed. At zero, the signal is fattened but without any pitch change, as depth is increased the pitch deviation becomes more. For example, with Rate at minimum and Depth at maximum you get a very lush feel of two guitars playing together. Speed and Depth around half each is classic 80s chorus. Higher rates and depths start to stray into fast Leslie / Univibe territory and both at max can be very weird but oddly useful. Summing up, the faster the rate the less depth you will probably need but, as always, there are no rules with pedals so have fun…The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. The Valkyrie is a blue burst model with the luscious blue paint blown into the silver base colour in order to give a burst effect. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.At this point the Valkyrie graphics are then applied by UV direct printing process giving a very sharp clear image of the original hand drawn Valkyrie image.

Flattley Violet Tremolo

The Flattley Wah is based on the principles of several classic Wahs that use a filter known as the “twin t resonant filter”. During development, several genuine classic Wahs were analysed to determine the characteristics that give old Wahs “that sound”. The Flattley prototype Wah pedals were tested by several experienced users of older classic Wah pedals until they were satisfied that the sound was right.The Flattley Wah is a very tight, articulate and vocal sounding Wah pedal which can handle as much gain as you want depending on your style of music. It also remains very tonal if being used clean, giving you an awesome individual expressive tone that will wow your audiences.The Flattley Wah comes with a 100K potentiometer installed which was designed and manufactured to exacting Flattley specifications. A standard feature with the Flattley Wah is the signature blue LED light plate which gives you full visibility on stage of the pedal’s status.The Flattley Wah also comes in the “Sugar Skulls” and “Oil Slick” hydro dipped graphics which will add some amazing artwork to any musician’s pedal board. Which one will you choose.