Subdecay

Once again we are knocking world of filter pedals off its axis. Autowah, envelope filter, step filter, random sample/hold filter, even a pixelated envelope filter. This one does it all. After a year in development we present The...

PixelWave Phase Distortion Synthesizer • Phase distortion guitar synth. • 3 Oscillators + 1 Sub-oscillator. • 37 programmable parameters. • 11 User presets. Take a trip back in time to the underappreciated 12bit era of synthesis. A time...

The M3 Guitar Synthesizer is based on the Korg MS-20 and produces the sounds of monophonic synthesizers of the 70s. Instead of two oscillators, the M3 uses three digitally controlled oscillators for super-fat synthesizer sounds that...

The TremCoder gives you options but won’t require a masters degree in modular synth madness to operate. A variety of LFOs drive a stereo tremolo/panner and lock into your groove with tap tap tempo. But wait, where’s the tap tempo switch?...

The first ever guitar synth with octave modulation. So what the heck is octave modulation? The octave theory seamlessly crossfades between octaves. Paired with an awesome filter this creates a multitude of possibilities. like 8 bit...

The Quasar v4 is a analog phaser and offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control. Traditional...

The Vector is a analog preamp and covers all your fuzz and drive needs with eleven channels of dirty analog goodness. Even with all the options you still get the simple control surface you expect in a stompbox. The Vector uses digital...

The Quasar DLX is back in black. The original LFO waveforms return, with improvements to the sound and usability of the phaser. As with many classic designs, the heart of the Quasar DLX mkII is an analogue 4-stage OTA-based phaser. The...

The Vagabond Tremolo is a tremolo with a vintage personality, blended with more depth, more speed and more control. Fender Blackface / Brownface amplifier The old Fender Blackface amplifiers had a very recognizable tremolo circuit that...

Parallel resonant filters inspired by the human voice create expressive sounds. 100% analog circuit for warm sound and great headroom. Designed for electric guitar and bass. Human voice filter Unlike most animals we humans have the...

The Harmonic Antagonizer is not a traditional fuzz box. There is no reverence here for the tradition of the 1960s. No germanium transistors. No NOS carbon film resistors. If you think fuzz should be smooth, or warm, or velvety ... or...

6 synthesizer inspired LFO shapes have been redesigned on the Starlight Flanger MKII. For more headroom & warmer sound that ranges from almost transparent to the ceiling. The triangular and sine wave shapes give you all the classic...